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Single volumes can be purchased in print only. Prices above include postage. Most articles are now open access.
All articles are copyrighted to named authors/artists. Some images and articles are not available for copyright reasons.The same ISSN -1461-0434 - applies to the print and PDF articles.
n.paradoxa was available through paid electronic subscriptions, Dec 2011-Jan 2018.
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'EDITORIAL (Katy Deepwell)' vol. 28 pp.4 |
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Angela Dimitrakaki 'Labour, Ethics, Sex and Capital On Biopolitical Production in Contemporary ArtOn Biopolitical Production in Contemporary Art' vol. 28 pp.5-15 |
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subRosa 'Bodies Unlimited A decade of subRosa's art practice' vol. 28 pp.16-25 |
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Marcia Oliveira 'The postmodern paradox in visual arts aestheticism, politics and contemporary materialism' vol. 28 pp.26-31 |
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Jo Anna Isaak 'Memories, rooms, sound and skin an interview with Irina Nakhova' vol. 28 pp.32-40 |
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Silvia Ziranek '(WHAT?) FACE FATE' vol. 28 pp.42-43 |
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'54th Venice Biennale' vol. 28 pp.44-47 |
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Not available in electronic form |
Katy Deepwell 'From Marginalia to Monalisa an interview with Ida Applebroog' vol. 28 pp.48-56 |
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Suzana Milevska 'Woman Bear Witness' vol. 28 pp.57-63 |
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Monica Sjoo and Anne Berg 'Images on Womanpower - Arts Manifesto (1971) (trying to give a rough and necessarily incomplete idea of what we are about.)' vol. 28 pp.64-67 |
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Not available in electronic form |
Kim Sawchuk 'Bio-art and the feminist politics of hands-on knowledge: an interview with Tagny Duff' vol. 28 pp.68-79 |
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Victoria Rance 'Mary Kelly: Projects, 1973-2010' vol. 28 pp.80-87 |
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Kimberly Lamm 'At the Pivot of the Biopolitical: Seeing Sex and Racism in Lorna Simpson's You're Fine' vol. 28 pp.88-93 |
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'3 Women: Maria Pininska-Berez, Natalia LL, Ewa Partum' vol. 28 pp.94-95 |
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Not available in electronic form |