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Single volumes can be purchased in print only. Prices above include postage. Most articles are now open access.
All articles are copyrighted to named authors/artists. Some images and articles are not available for copyright reasons.The same ISSN -1461-0434 - applies to the print and PDF articles.
n.paradoxa was available through paid electronic subscriptions, Dec 2011-Jan 2018.
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'EDITORIAL (Katy Deepwell)' vol. 24 pp.4 |
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Red Chidgey, Rosa Reitsamer and Elke Zobl 'Ladyfest: material histories of everyday feminist art production' vol. 24 pp.5-12 |
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Lisa E. Bloom 'Tableaux Vivants, Dying Empires: Eleanor Antin's The Last Days of Pompeii, Roman Allegories and Helen's Odyssey' vol. 24 pp.13-21 |
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Katy Deepwell 'Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009' vol. 24 pp.22-29 |
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Anna Lena Lindberg 'Affirmative Action: Experiences of 'Implementing a Critical Gender Perspective in Art History/Visual Culture'' vol. 24 pp.30-37 |
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Not available in electronic form |
Val Phoenix 're.act.feminism' vol. 24 pp.38-42 |
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'Views of women artists at the 53rd Venice Biennale' vol. 24 pp.43-45 |
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Not available in electronic form |
Gisela Weimann 'La Notte Blu' vol. 24 pp.45-48 |
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Marian Evans 'We Are Unsuitable for Framing, Te Papa, New Zealand' vol. 24 pp.49-58 |
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Olivia Nitis 'Material Histories: Feminism and feminist art in post-revolutionary Romania' vol. 24 pp.59-67 |
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Joanna Walker 'An Encounter with Nancy Spero ' vol. 24 pp.68-76 |
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'In the Light of Play, Durban Art Gallery' vol. 24 pp.77-78 |
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Pamela Allara 'Susan Woolf: Taxi Driver Signs in South Africa' vol. 24 pp.79-84 |
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Charlotte Lindenberg 'Barbara T. Smith Revisited' vol. 24 pp.85-93 |
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