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international feminist art journal

volume 2, July 1998  (Women and New Media)

If you enjoy reading n.paradoxa, you can still order your favourite volume(s) in print!

cover of n.paradoxa: international feminist art journal vol.2 (July 1998) KT press
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Single volumes can be purchased in print only. Prices above include postage. Most articles are now open access. All articles are copyrighted to named authors/artists. Some images and articles are not available for copyright reasons.The same ISSN -1461-0434 - applies to the print and PDF articles. n.paradoxa was available through paid electronic subscriptions, Dec 2011-Jan 2018.

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  'EDITORIAL (Katy Deepwell)' 
vol. 2  pp.5 
  'Where is the Feminism in Cyberfeminism?' 
vol. 2  pp.6-13 
vol. 2  pp.13-15 
  'Digital,Human,Animal,PLANT:The Politics of Cyberfeminism?' 
vol. 2  pp.16-22 
  'Media and Body Politics' 
vol. 2  pp.23-31 
  'Feminism is this Word' 
vol. 2  pp.32-35 
vol. 2  pp.36-38 
  'The Institute: Or What We Do for Love' 
vol. 2  pp.39-34 
  'Stages, Elements, Humans' 
vol. 2  pp.44-45 
  'Time Frames' 
vol. 2  pp.44, 46, 47 
  Not available in electronic form
vol. 2  pp.44, 48 
  Not available in electronic form
  'Pregnancy as a Philosophical Problem' 
vol. 2  pp.49-52 
  'The Heat is On! An Interview with Sara Diamond' 
vol. 2  pp.53-62 
  'Women Artists at ZKM Karlsruhe' 
vol. 2  pp.63-71 
  Not available in electronic form
  'review of Suchan Kinoshita at Chisenhale Gallery' 
vol. 2  pp.72-73 
  Not available in electronic form
  'Kate Craig at Vancouver Art Gallery' 
vol. 2  pp.74-76 
  'Review of Catherine Elwes 'Liaison Officer' (45 min. film) (Katy Deepwell)' 
vol. 2  pp.77 
  'Women at the Fajr Film Festival in Tehran' 
vol. 2  pp.78-79 
  Not available in electronic form
  'Gardens of Forking Paths: A Journey into the CD-ROMs of Christine Tamblyn and Adriene Jenik' 
vol. 2  pp.80-81 
  'Irrationally Yours' 
vol. 2  pp.82 
  'Review of Amelia Jones 'Body Art: Performing the Subject' and Whitney Chadwick 'Framed'' 
vol. 2  pp.86-87 
  'Women Artists Online Reviews (Katy Deepwell)' 
vol. 2  pp.88-90