Artworks by women artists on 30 topics
related to Feminism and Contemporary Art
About this topic: Rooms
The works all feature, explore or create rooms. These rooms form the work or are central to the subject of the artworks.
Many are temporary constructions or installations, some are built as complex interactive environments.
Ilya Kabakov's concept of a "total installation" was inspired by Irina Nakhova's project.
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Carolee Schneemann
(USA) Eye/body: 36 Transformative Actions for Camera (1963) loft environment, built in New York, photographed performance actions
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Marta Minujin
(Argentina) La Menesunda (1965) built gallery environment, audience interaction recorded on 16 mm Film, digitalised
8.09 min
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Yayoi Kusama
(Japan) Kusama's Peep Show or Endless Love Show (1966) Mirrors, coloured lights
210 x 240 x 205 cm
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Gego
(Venezuela) Reticulárea (ambientación) (1969) Installation at Museo de Bellas Artes, Caracas
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Dorothea Tanning
(France) Chambre 202: Hotel du Parot (1970) Bois, tissus, laine, papier peint, tapis, ampoule électrique 340,5 x 310 x 470 cm
Centre Pompidou AM-1977-204
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Anna Sjodahl
(Sweden) Var Dags liv: Mitt alternativ / Everyday Life: My Alternative (1973) installation with paintings and objects from the artists home, Konstframjandet, Stockholm
Moderna Museet
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Francesca Woodman
(USA) Untitled: Providence, Rhode Island (1975 - 1976) series of photos
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Rejsning Gruppe
(Denmark) Kvindendstillingen XX pa Charlottenberg (1975) collaborative installation of rooms transforming one floor of exhibition
Read about this in Monika Kaiser Neubesetzungen des Kunst-Raumes
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Lydia Schrouten
(The Netherlands) Kooi / Cage (1978) performance, 30 mins inside cage of 2x2x2m with built in watercolour pencils, performed 3 times in Holland and France
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Amalia Mesa-Bains (with Lomas Garga)
(USA) Frida Kahlo Altar (1979) altar and mixed media installation, Galeria de la Raza, San Francisco
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Sophie Calle
(France) L'Hotel (1981) 7 Epreuves chromogènes contrecollées sur papier et texte, 7 épreuves gélatino-argentiques contrecollées sur papier, 1 texte
Centre Pompidou AM 2000-9 (1-8)
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Vera Frenkel
(Canada) The Secret Life of Cornelia Lumsden: a Remarkable Story (reconstruction of Her Room in Paris) (1981) video installation in which author plays 4 different roles, reconstruction of room
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Ingrid Ernst
(Germany) Jede Frau tragt ein Zimmer (1982) performance production, Unbeachtete Produktionsformen, Kunstlerhaus Bethanien, recorded on Super 8
Film Portal Germany
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Irina Nakhova
(Russia, USA) Rooms (1983 - 1987) installations using paper, paint and collage, the first "total installations" in Russia
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Helen Chadwick
(UK) Ego Geometria Sum (1984) installation, 10 objects, 10 photos presented at Aspex Gallery, Plymouth
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Miriam Cahn
(Germany) Frauen, FrauenRaume, Etat de Guerre, Das Wilde lieben (1984) room installation of paintings, Galerie Stampa Basel
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Hannah O'Shea
(UK) Hannah's at Home (1985) performance using contents of artists' home displaced to gallery
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Louise Bourgeois
(USA) Cell (Eyes and Mirrors) (1989 - 1993) sculpture, steel, limestone and glass
Tate Collection
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Lynn Hershmann, Sara Roberts
(USA) Room of One's Own (1990 - 1993) interactive installation
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Cornelia Parker
(UK) Cold Dark Matter: An Exploded View (1991) Wood, metal, plastic, ceramic, paper, textile and wire 4 x 5 x 5 m
Tate Collection
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Ana Viera
(Portugal) Environment (1992) installation, print on veils/fabric
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Alison Marchant
(UK) Living Room (1994) bookwork/artwork about 2 major housing initiatives comprising oral histories and photos (book: London: Working Press, 1997)
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Pipilotti Rist
(Switzerland) Das Zimmer/ The Room (1994) video installation
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Maureen Connor
(USA) Love (at first) Site (Balcony, Bachelors Pad, Bedroom) (1997 - 1998) 3 installations, with built and projected elements triggered by sensors, installed for All You Need is Love (Laznia, Gdansk, 2000)
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Rosemarie Trockel
(Germany) Sleeping Pill (1999) installation,German Pavilion, Venice Biennale
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Monica Bonvicini
(Italyu) I Believe in the Skin of Things as in That of Woman (1999) installation, drywall panels, aluminium studs, wood panels , graphite
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Priscilla Monge
(Costa Rica) Cuarto de Aislamiento y proteccion: Room for Isolation and Restraint (2000) installation with sanitary napkins, 49th Venice Biennale, 201
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Chiharu Shiota
(Japan) During Sleep (2000) installation, string and beds, with artist sleeping, Kunstraum Maximilianstrasse, Stadtforum München
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Koo Jeong-A
(Korea) Untitled (2001) Medium, néon, plastique, papier, métal
Centre Pompidou AM 2002-288
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Simryn Gill
(Singapore, Australia) Dalam (series) (2001) 260 chromogenic prints
23.5 x 23.5 cm
Singapore Art Museum
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Rita Duffy
(UK) Veil (2001) installation, lights, pigment, salt and glass, 6 metal doors from Armagh Women's Prison 183 x 91 cm
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Cristina Iglesias
(Spain) Untitled (Passage II) (2002)
Centre Pompidou AM 2004-182
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Karen Knorr
(UK) Fables (2003 - 2008) Lamda C type Fuji Crystal Archive Paper 122 x 152 cm
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Monika Sosnowska
(Poland) Corridor (2003) installation, Istanbul Biennale, 2003
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Mariko Mori
(Japan) Wave UFO (2003) Aluminum, magnesium, carbon fiber, Technogel, and fiberglass, 16 x 37 x 17 ft
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Sheela Gowda
(India) Darkroom (2006) Shanty fort constructed of metal tar drums from construction sites
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Kim Soo-ja
(Korea) Mirror Room (2011) Venice Biennale, Korean pavillion
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Liina Siib
(Estonia) A Woman Takes a Little Space (2011) installation, Estonian Pavilion, Venice