Artworks by women artists on 30 topics
related to Feminism and Contemporary Art
About this topic: Masquerade/Mask
The mask more clearly than any other motif provides a means to explore how femininity is constructed as a masquerade (following psychoanalyst, Joan Riviere, philosopher Simone de Beauvoir and critical theorist, Judith Butler) - something that must be "performed" or constructed daily as an appearance.
The interrogation of the mask exposes femininity as a cultural construction - neither nature nor biology, but the product of historical and cultural specificity. Women artists deconstruct this "trope", breaking its impact and often exposing what is behind the mask or its making.
-
Claude Cahun (with Marcel Moore)
(UK, France) I.O.U. (Self-Pride) Aveux non Avenus (1929) photography
-
Teresa Burga
(Peru) Autorretrato. Informe.Rostro (1972 - 2006) photographs
-
Ana Mendieta
(USA, Cuba) Untitled (Glass on Body Imprints) (1972 - 1997) photographs of performance surgery on face
-
Annette Messager
(France) Les tortures volontaires/ Voluntary Tortures (1972) 86 gelatin silver prints, 1 album
-
Lynn Hershman
(USA) Robert Breitmore's Construction Chart (1973) photographs/drawing
-
Martha Wilson
(USA) I Make Up the Image of My Perfection/ I Make Up the Image of My Deformity (1974) photo-series
-
Hannah Wilke
(USA) Super T-Art (1974) photo-series
-
Alexis Hunter
(UK, New Zealand) Identity Crisis (Maquette) (1974) photo-series
-
Rose Finn-Kelcey
(UK) Study for Divided Self #1-3 (1974) Black and White silver gelatine print. 46.6 x 70 cm
-
Eleanor Antin
(USA) The King of Solana Beach (1974) 11 black and white photos, mounted on board, 2 text panels, performance action
-
Annagret Soltau
(Germany) Selbst (1975) 14 photos, each 38 x 38 cm.
-
Ulrike Rosenbach
(Germany) Weiblicher Energieaustausch, Venus, Medusa, Supergirl (1975 - 1976) 3 photos
Sammlung Verbund
-
Martha Rosler
(USA) She sees in herself a new woman everyday (1976) Installation comprising twelve colour photographs and one audio recording (17 min. 21 sec.)
Reina Sofia
-
Katerina Thomadaki and Maria Klonaris
(France, Greece) Double Exposure (1977) series of photographs of artist's self-portraits
-
Geta Bratescu
(Romania) The Smile (1978) Photograph mounted on paper 23 x 40 cm, framed
-
Rachel Rosenthal
(USA) The Arousing (Shock, Thunder) A Hexagram in Five Parts (1979) performance
-
Cindy Sherman
(USA) Untitled Film Stills (1979) black and white photographic series
-
Lorna Simpson
(USA) Stereo Styles (1988) 10 x black and white polaroids 24 x 20 ins each, whole, 64 x 116 ins.
-
Maud Sulter
(UK) Terpischore, Zabat series (1992) C-Print 60 x 48
Victoria and Albert Museum
-
Orlan
(France) Omnipresence: Seventh Surgery, New York (1993) photographs of performance surgery on face
FRAC, Pays de La Loire
-
Renee Cox
(USA) Hot-en-Tot (1994) silver gelatin print 129.86 x 94.62 cm
-
Anna Alchuk with Alexei Geradzha
(Russia) Double Game (1994) photo series
-
Lori Blondeau
(Canada) Sqaw series (1996 - 1997) photos
-
Milica Tomic
(Serbia) I am Milica Tomic (1998 - 1999) video, single channel
-
Berni Searle
(South Africa) Snow White (2001) single channel video 6'2"
Johannesburg Art Gallery and Daimler Art Collection
-
Tejal Shah
(India) Trans (2004 - 2005) 2 channel video, 12 min.
-
Tomoko Sawada
(Japan) Masquerade (2006) C-prints each 6 cm x 6 cm
-
Teresa M. Diaz Nerio
(Dominican Republic) Hommage a Sara Bartman (2007) video 20' and costume, leather, textile, 160 x 150 cm
-
Gillian Wearing
(UK) Me as Cahun Holding a Mask of My Face (2012) framed bromide print, part of a series presenting herself as various artists 155.6 x 128.6 cm