Artworks by women artists on 30 topics
related to Feminism and Contemporary Art
About this topic: Mannequin/Puppet/Automaton/Cyborg
The puppet/the automaton/the doll/the cyborg have become important figures through which to question many ideas about designated or alloted roles for women in the world.
These figures stand in for, mimic or project ideas about power, judgement and performance.
The figures become a tableau or are used in environments from which women artists can explore rituals, stereotypes and question women's cultural objectification.
-
Hannah Hoch
(Germany) Fremde Schonheit (Strange Beauty) (1929) photomontage 32 x 23 cm
Private collection, Paris
-
Claude Cahun
(UK, France, Jersey) Self-Portrait (1949) gelatin silver print
-
Marisol
(USA, France, Venezuela) Self-Portrait (1961 - 1962) painted wood sculpture
-
Kate Millett
(USA) The Trial of Sylvia Likens (1965 - 1978) found objects, paint, photocopies, tape recordings (reinstalled, Bingham Center in 2010)
Duke Library (Reconstruction, 2010)
-
Eva Aeppli
(Switzerland) Groupe de 13/Homage a Amnesty International (1968) mixed media sculptures presented as installation
Centre Pompidou AM-2008-174
-
Godo Sawako
(Japan) Mutant turned to a Mother (1970) sculpture 50 x 250 x 22.5 cm
see Reiko Kokatsu's exhibition
-
Karla Woisnitza
(Germany) Face-Painting Action (before/after) (1978 - 1979) photo-collages, 38.5 x 28.5 cm
-
Ana Maria Pacheco
(UK) Some Exercise of Power (1980) wooden sculptures 360 x 360 ins
see Women's Images of Men
-
Monica Ross
(UK) Mannequins presented as part of the group installation, FENIX exhibition (1980) FENIX, Birmingham Arts Lab
-
Gabriele Stotzer
(Germany) Gesicht Ich/Face I (photographed by Heike Stephan) (1982) 20 b/w photographs, 65 x 95 cm
-
Lynn Hershman
(USA) New Acquisitions (1985) performance, a simulated museum acquisition of Greek sculptures with Valerie Houston Dance theatre dancers, Santa Barbara Museum
-
Cindy Sherman
(USA) History Portraits (1988 - 1990) photographs, C-prints
-
Zoe Leonard
(USA) Wax Anatomical Model (Shot Crooked from Above) (1990) black and white photograph
Tate Collection
-
Emma Rushton
(UK) English Clergy 92 (1992) wax figures, fabric, leather, hair, MDF, each in series 20 ins. High
-
Annette Messager
(France) Les Piques (1992 - 1993) mixed media, fabric
Centre Pompidou AM-1994-85
-
Nadine Tasseel
(The Netherlands) Untitled: diptych (1992) black and white photograph
see Catherine de Zegher Inside the Visible
-
Marie Ange-Guilleminot
(France) Mes Poupees (1993) video, colour sound
Frac Lorraine
-
Yun Suknam
(Korea) Son, son , son (1993) sculpture, wood and print
-
Tatiana Nazarenko
(Russia) Passage (1995 - 1996) multifigure compositions, oil on plywood of Russian men and women
see exhibition catalogue, Zen D'Art
-
Joan Semmel
(USA) Pedestal (1996 - 2001) oil 66" x 58"
-
Ilona Nemeth
(Hungary) Polyfunctional Woman (1996) installation, bed, velvet, sound 200x 260 x 50 cm
Ludwig Museum of Contemporary Art, Budapest
-
Jemima Stehli
(UK) Chair (1998 - 1999) photographic re-enactment of Allen Jones' Chair (1969)
-
Lee Bul
(Korea) Cyborgs W1 - W4 (1998) white polyurethene sculptures
-
Su-Mei Tse
(Luxembourg) La Marionette (1999) video, colour, sound 1.44 min
Collection Metz
-
Katerina Vincourova
(Czech Republic) Love the Love Doll Jane (2002) installation with inflatable sex dolls, clothing, computers and mirrors
Jiri Svesbta Gallery, Prague
-
Mathilde ter Heijne
(Germany, The Netherlands) F.F.A.L. (Fake Female Artist Life) (2003 - 2007) sound sculptures, fake female artists and biographies
-
Cathy Wilkes
(UK) Non verbal (version) (2006) installation: oil on canvas, mannequins, aluminium tray, corn oil, LCD screen, pram, motorcycle helmet and mixed media
-
Fan Xiaoyan
(UK) Physical attachment (2008) series of large stainless steel sculpture of cyborg armed mannequins
-
Nge Lay
(Myanmar) The Relevancy of Restricted Things (2010) photographic series of artist dressed in a male mask/costume in Thuyedan with families who have lost male relatives
-
Nathalie Djurberg and Hans Berg
(Sweden, Germany) The Parade of Rituals and Stereotypes (2012) Clay animation, digital video, installation
Preview clip at Walker Arts Center
-
Kirsten Justesen
(Denmark) PLANK, FLOOR, SHADOW, WALL, SCULPTRESS (2013) C-print, referencing Sculpture after Charles Ray (1953) Plank Piece I-II, 1973 mounted on dibon/3mm. mat acrylic, 122x175cm
-
Sri Astari
(Indonesia) Pendopo: Dancing the Wild Seas (2013) Bedoyo dancer figures and costumes arranged on a stage, Indonesian Pavilion, Venice Biennale